Visual Effects
Visual Effects
Visual Effects
Visual Effects
Visual Effects
I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.
I also own various lenses, ranging from 17-500mm.
To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.
For on-location filming that requires CGI, I own a portable blue/green screen.
I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.
I also own various lenses, ranging from 17-500mm.
To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.
For on-location filming that requires CGI, I own a portable blue/green screen.
I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.
I also own various lenses, ranging from 17-500mm.
To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.
For on-location filming that requires CGI, I own a portable blue/green screen.
VIRTUAL PRODUCTION
Experts in Virtual Production, we come from the early days of this pioneering technology. Having worked for Mo-Sys Engineering in the first days of the StarTracker, we left to create our own journey.
We have recently partnered with SONY EUROPE to produce our latest short film, set to be the first production globally to utilise the new SONY BURANO and SONY CLED Wall in tandem. Alongside this, we are overseeing a multi-channel marketing campaign revolving around our film, HESTIA, which is set to be distributed across Europe.