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Visual Effects

I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.

I also own various lenses, ranging from 17-500mm.

To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.

For on-location filming that requires CGI, I own a portable blue/green screen.

I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.

I also own various lenses, ranging from 17-500mm.

To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.

For on-location filming that requires CGI, I own a portable blue/green screen.

I own and operate a Blackmagic URSA Mini 4k, which can shoot at a native 4000x2160 RAW output.

I also own various lenses, ranging from 17-500mm.

To go with this is a full shooting set, including external 4k monitor, rig and grips, SSD recorder with 2 SSD's and several VLock batteries.

For on-location filming that requires CGI, I own a portable blue/green screen.

KIERAN | ISOBEL
WRITER | PRODUCER | DIRECTOR DUO

SLATE | We often focus our attention on one or two main productions at any time. Here you can see the productions we currently have, in all stages from scripting stage all the way to post production!

LOGLINE

After saving an intergalactic fugitive from space assassins, a slothenly pizza delivery guy goes on a mission to discover his true purpose in life.

MOODBOARD

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